{"id":12660,"date":"2019-02-01T18:26:59","date_gmt":"2019-02-01T12:26:59","guid":{"rendered":"http:\/\/ctgmovies.com\/?p=12660"},"modified":"2019-10-03T18:20:22","modified_gmt":"2019-10-03T12:20:22","slug":"double-indemnity-1944","status":"publish","type":"post","link":"http:\/\/ctgmovies.com\/?p=12660","title":{"rendered":"Double Indemnity (1944)"},"content":{"rendered":"

Double Indemnity<\/b><\/i> is a 1944 film noir<\/a> crime<\/a> drama<\/a> directed by Billy Wilder<\/a>, co-written by Wilder and Raymond Chandler<\/a>, and produced by Buddy DeSylva<\/a> and Joseph Sistrom. The screenplay was based on James M. Cain<\/a>‘s 1943 novella of the same name<\/a>, which originally appeared as an eight-part serial in Liberty<\/i> magazine<\/a>, beginning in February 1936.The film stars Fred MacMurray<\/a> as an insurance salesman, Barbara Stanwyck<\/a> as a provocative housewife who wishes her husband were dead, and Edward G. Robinson<\/a> as a claims adjuster whose job is to find phony claims. The term “double indemnity<\/a>” refers to a clause in certain life insurance policies that doubles the payout in rare cases when death is caused accidentally, such as while riding a railway. Praised by many critics<\/a> when first released, Double Indemnity<\/i> was nominated for seven Academy Awards<\/a> but did not win any. Widely regarded as a classic, it is often cited as a paradigmatic film noir and as having set the standard for the films that followed in that genre. \u00a0Deemed “culturally, historically, or aesthetically significant” by the U.S. Library of Congress<\/a> in 1992, Double Indemnity<\/i> was selected for preservation in the National Film Registry<\/a>. In 1998, it was ranked No. 38 on the American Film Institute<\/a>‘s list of the 100 best American films<\/a> of all time, and in 2007 it placed 29th on their 10th Anniversary list<\/a>.<\/p>\n

In this classic film noir, insurance salesman Walter Neff (Fred MacMurray) gets roped into a murderous scheme when he falls for the sensual Phyllis Dietrichson (Barbara Stanwyck), who is intent on killing her husband (Tom Powers) and living off the fraudulent accidental death claim. Prompted by the late Mr. Dietrichson’s daughter, Lola (Jean Heather), insurance investigator Barton Keyes (Edward G. Robinson) looks into the case, and gradually begins to uncover the sinister truth.<\/span><\/div><\/div><\/span><\/p>\n

\u09ac\u09cd\u09b0\u09be\u0989\u099c\u09be\u09b0 \u0987\u09b8\u09cd\u09af\u09c1\u09b0 \u0995\u09be\u09b0\u09a3\u09c7 \u09b8\u09cd\u099f\u09cd\u09b0\u09bf\u09ae\u09bf\u0982 \u098f\u09b0 \u09b8\u09ae\u09df \u0995\u09cb\u09a8 \u09ae\u09c1\u09ad\u09bf\u09b0 \u09b8\u09be\u0989\u09a8\u09cd\u09a1 \u09b6\u09cb\u09a8\u09be \u09a8\u09be \u0997\u09c7\u09b2\u09c7 \u09ac\u09be \u09ad\u09bf\u09a1\u09bf\u0993 \u09b6\u09cb \u09a8\u09be \u0995\u09b0\u09b2\u09c7 \u09a1\u09be\u0989\u09a8\u09b2\u09cb\u09a1 \u0995\u09b0\u09c7 \u09a6\u09c7\u0996\u09be\u09b0 \u0985\u09a8\u09c1\u09b0\u09cb\u09a7 \u09b0\u0987\u09b2\u0964 \u09ab\u09be\u0987\u09b2\u09c7 \u0995\u09cb\u09a8 \u09b8\u09ae\u09b8\u09cd\u09af\u09be \u09a8\u09be\u0987\u0964 \u098f\u099f\u09be \u09ac\u09cd\u09b0\u09be\u0989\u099c\u09be\u09b0 \u0987\u09b8\u09cd\u09af\u09c1\u0964 \u09a7\u09a8\u09cd\u09af\u09ac\u09be\u09a6\u0964<\/div><\/div><\/span><\/p>\n

\n\t
<\/div>\n\t\"video\"\n\t